Some Things Hidden / Some Things Undone: New Work from Anderson Matthew

Installation view of Some Things Hidden / Some Things Undone. Photo: Ian Byers-Gamber

Installation view of Some Things Hidden / Some Things Undone. Photo: Ian Byers-Gamber

Some Things Hidden / Some Things Undone
New Work from Anderson Matthew

February 27 — April 11, 2021

We hosted an abridged online iteration through April 26 - May 16, 2021.

Exhibition Text
Works List

Grainy, atmospheric, and always dream-like, the image-based works of Anderson Matthew conjure feelings of longing for unnamed states. Some Things Hidden / Some Things Undone presents a selection of films and photography completed over the past year, and is the LA-based artist’s first solo show. Matthew’s use of analog camera techniques with Super 8mm and 35mm film lends nostalgia and tactility to his queries into nature, queerness, race, and belonging. 

Shaped largely through precision editing and ambient scoring, pathos is always present — as well as remnants of the documentary impulse, however faintly it survives. Created for tele- art magazine, This Is A Call (2020), for example, combines surrealist stop-motion with raw and very real reflections on whiteness from Matthew’s friends and peers in the wake of the police murder of George Floyd. Some Things Hidden (2020) plays like a warped home video verging on fairytale, an artifact of a hike the artist took with his parents. Represented in this show by three small photo stills, dei notturni splendori (2020) is an experimental film commissioned by the Staatsoper Stuttgart that finds mezzo-soprano Helene Schneiderman performing in a dream theater with only herself as the audience. 

LA-based artist Dylan Zarate / DNZ frequently collaborates with Matthew; they are muse and composer for the dizzy, ecstatic Everybody Dies (2020), and appear as a mysterious being in the Apocalypse Veil (2019/2020) photo series. In both still and moving images, Zarate’s existentially weighty performances are simultaneously constructed and deeply vulnerable. 

Taken as a whole, Matthew’s blurring of myth-creation and documentation gently uncovers a trove of abstract questions: how do intimacy and environment interact? What types of truth can we expect our senses to find? What remains hidden? When does a given experience take on the aura of memory? And is it different for someone who always has a frame in their eye? 

—Rachel Elizabeth Jones

Video tour of Some Things Hidden / Some Things Undone at Flower Head

 
Some Things Hidden (2020), presented at Flower Head as a two-channel projected video installation. Photo: Ian Byers-Gamber

Some Things Hidden (2020), presented at Flower Head as a two-channel projected video installation. Photo: Ian Byers-Gamber

 
 
Installation view of Some Things Hidden / Some Things Undone. Photo: Ian Byers-Gamber

Installation view of Some Things Hidden / Some Things Undone. Photo: Ian Byers-Gamber

 
Everybody Dies (2020) presented at Flower Head as a digital rendering of Super 8mm on a CRT monitor. Photo: Ian Byers-Gamber

Everybody Dies (2020) presented at Flower Head as a digital rendering of Super 8mm on a CRT monitor. Photo: Ian Byers-Gamber

Everybody Dies (2020), digital rendering of Super 8mm

 
 
A Desert Moment with Noah (2020), presented at Flower Head as a digital rendering of Super 8mm on a CRT monitor. Photo: Ian Byers-Gamber

A Desert Moment with Noah (2020), presented at Flower Head as a digital rendering of Super 8mm on a CRT monitor. Photo: Ian Byers-Gamber

A Desert Moment with Noah (2020), digital rendering of Super 8mm

 

Another Desert Moment (2021), digital rendering of Super 8mm

 
 
Installation view with Tumbleweed (2021). Photo: Ian Byers-Gamber

Installation view with Tumbleweed (2021). Photo: Ian Byers-Gamber

Detail of Tumbleweed (2021). Photo: Ian Byers-Gamber

Detail of Tumbleweed (2021). Photo: Ian Byers-Gamber

 
This Is A Call (2020), originally created for Tele- magazine, at Flower Head as a digital rendering of 35mm on a CRT monitor. Photo: Ian Byers-Gamber

This Is A Call (2020), originally created for Tele- magazine, at Flower Head as a digital rendering of 35mm on a CRT monitor. Photo: Ian Byers-Gamber

This Is A Call (2020), digital rendering of 35mm

 
 
Selections from the Apocalypse Veil series. Photo: Ian Byers-Gamber

Selections from the Apocalypse Veil series. Photo: Ian Byers-Gamber

Orange Veil #1 (Apocalypse Veil series) (2019/2020)

Orange Veil #1 (Apocalypse Veil series) (2019/2020)

Pink Veil #1 (Apocalypse Veil series) (2019/2020)

Pink Veil #1 (Apocalypse Veil series) (2019/2020)

White Veil #1 (Apocalypse Veil series) (2019/2020)

White Veil #1 (Apocalypse Veil series) (2019/2020)

Mother Veil #1 (Apocalypse Veil series) (2019/2020)

Mother Veil #1 (Apocalypse Veil series) (2019/2020)

 
 
Stills from dei notturni splendori. Photo: Ian Byers-Gamber

Stills from dei notturni splendori. Photo: Ian Byers-Gamber

dream opera (dei notturni splendori film still) (2020)

dream opera (dei notturni splendori film still) (2020)

singer in flowers (dei notturni splendori film still) (2020)

singer in flowers (dei notturni splendori film still) (2020)

instrumentalist at night (dei notturni splendori film still) (2020)

instrumentalist at night (dei notturni splendori film still) (2020)

Anderson Matthew is an American artist and filmmaker. His work centers around multiplicity of perspectives and queer experience. He is the writer and director of the feature film BAJA COME DOWN and creator of Deviant Proposals: An Anti-Binary Journal published by Candor Arts. His film work also includes short, experimental and documentary projects which have shown internationally across Europe, Australia, North and South America. He is co-creator of Shadow Kitchen, a Los Angeles filmmaker collaborative, and co-creator of the LA Cinema Calendar. He holds a BFA from Chapman University. andersonmatthew.com / @and.matthew

Featuring collaborations with
:

Dylan Zarate // DNZ is a multimedia artist currently residing in the Greater Los Angeles area. Their work focuses on the transience of identity and the boundaries in which one exists, presenting these concepts through an absurdist lens. They work primarily in sound, image, and video, but sometimes as model. As soundscape creator, Zarate creates under the monogram DNZ and is currently working on their debut album, “Dramaturgy,” to be released in 2021. informationandentropy.net / @dylanzarate

Leanna Kaiser is an experimental filmmaker and musician living in Los Angeles. vimeo.com/holymatter/ / @holymatter

Rachel Elizabeth Jones is an artist and writer based in LA. She launched Flower Head in the garage below her apartment in 2020. rachelelizabethjones.com / @ratbabyjones

Flower Head would like to thank Mark Ayala for his invaluable assistance installing this show.